CUT TO:
EXT. ROAD ALONG MOUNTAINSIDE
(COLORADO) - DAY
Harold and Nadine cruise abreast on
their motorbikes,
Harold on the side where the road drops off.
The wind
is in her hair, which is totally white now. She wears a
flimsy shift, her face, arms and legs exposed to the sun.
HAROLD
The only bad thing is that I lose you to him.
She steers closer to him, causing
him to shift closer to the edge.
NADINE
He'll find you the right prize.
HAROLD
After you ... any woman is just going to be a sack of potatoes.
Nadine smiles. She draws
closer still and pats his cheek seductively.
NADINE
Trouble with you, Harold, you're not really evil.
You're a
smart-ass nerd ... who
overreached.
HAROLD
I am evil.
She pinches his cheek causing him
to drift still closer to the edge.
NADINE
You still have baby fat!
HAROLD
(indignant)
I don't have baby f --
-- Before Harold can control the
bike, he shoots
off the road. Continuing, she hears the CRASH.
NADINE
Oops!
EXT. ROAD THROUGH MOUNTAIN
WILDERNESS - DAY
The sun beats down. Nadine
rides on, her face,
arms and legs red from the exposure. Her
hair
trails behind her ... a white bridal veil.
EXT. ROAD THROUGH HIGH DESERT
- SUNSET
Sunburnt a terrible shade of red,
Nadine comes sailing
over a rise. She makes out a man leaning
against
the hood of a Chevy in the middle of the road.
She slows, a strange smile on her
face, and comes
to a stop before the man. He is the Walkin'
Dude:
fancy boots, tight jeans, the belt with astrological
signs,
the jacket which now sports a “Have A
Nice Day” button, the Stetson
cocked forward.
WALKIN' DUDE
(sweet sing-song)
Nadine, Nadine ... how I love to love Nadine.
NADINE
Here I am ...
She gets off her bike. He
lifts the brim and we finally see
him. Overly handsome, old and
young, very masculine but
with a few feminine features, he has a
powerful presence.
His eyes are piercing, one blue, one
yellow-green.
Nadine stares at him.
WALKIN' DUDE
Do I disgust you?
NADINE
You do ... or maybe I disgust
myself ... waiting for so
many years for
something impossible
... that's now flesh and
blood. What do I call you?
WALKIN' DUDE
Randall ... Randall Flagg.
NADINE
Randall ?! ... Randall
“the Midnight Rambler” !
She giggles, but stops when he
unzips his fly. She
sees something below frame that terrifies her.
He moves with lightning
speed. He carries her
to the asphalt. Her sunburnt
body scrapes
against the rough surface. She gasps in pain.
WALKIN' DUDE
You will bear me a child.
He starts to possess her. Her
body arches, and her eyes go wide.
NADINE
No!! You'll tear me
APART --
The scream of agony builds to
beyond audibility. Her
mouth is wide open, and in the dark cavity
we hear a
deep strong THUMPING. And in the darkness we see --
-- a lava flow spilling into the
sea, steam exploding. And the THUMPING--
EXT. MOUNTAIN WILDERNESS -
MOONLIT NIGHT
-- becomes the eerie
BOOTFALLS. The fancy
boots appear not to touch the ground.
But for the boots, his legs
pumping, the Walkin' Dude is naked.
He runs in great slow motions
bounds. He carries Nadine
in his arms, her body limp, her thighs
streaked red.
YELPING, HOWLING wolves run
alongside him.
His breathing is a fierce
rasping: he yells:
WALKIN' DUDE
My bride ... will bear me ... a child ... and on the day ...
of it's birth ...
Abigail's city and all of her
people ...
will be turned to dust
... A blood sacrifice ...
The figure of the Walkin' Dude with
Nadine in
his arms runs uphill at an unnatural speed.
WALKIN' DUDE'S VOICE
-- in honor ... of my successor.
His declaration ECHOES through the
mountains.
CUT TO:
EXT. ROAD ALONG MOUNTAINSIDE
- DAY
Larry and Stu, with a rucksack,
walk with Kojack
trotting along in his master's shadow. Tom wears
a
beanie with a propellor, and rides a heavy-duty dirt
bike; and Dayna
is on her ten-speed. Larry is unhappy.
LARRY
Fellas, Mother Abigail said “go now, go as
you are”. I
don't know about bikes ...
STU
Or weapons?
Stu pulls out his pistol. And
Tom whips out a
CAP GUN, SHOOTS. The others jump in fright.
DAYNA
What she said was more like Bible talk, stuff you have to interpret.
LARRY
She said nothing about guns ... All she said was “fear no evil”.
Tom sees him first. He gasps.
They continue in silence. --
TOM
Holy gee ...
Frozen in rigor mortis is Harold at
the edge of
the road, his cheek bones showing through
the
flesh. His cheeks have been bitten off.
The four stare, and fear comes over
them.
Kojack doesn't dare sniff too close.
STU
There's a job to do, so let's move
it.
DAYNA
Fear no evil?
Under a pall of dream they get
going again.
EXT. ROAD ALONG MOUNTAINSIDE
- LATER - DAY
They continue in silence when
suddenly the
jet, flying low, is upon them, strafing them.
Tom takes off on his bike, pedaling
like a demon, heading west.
Stu and Larry press against the
rocky slope. They watch
in dismay as the jet banks arond; they
also gape at Dayna.
She steps into plain view at the
roadside, and begins
tearing off her clothes, about to expose her
breasts, --
INSIDE COCKPIT
-- and the pilot sees the naked
female figure waving to him.
He's distracted; flustered for the
blink of an eye.
Only a last second yank at the
joystick saves
him from slamming into the mountainside.
EXT. ROAD ALONG MOUNTAINSIDE
- DAY
Stu and Larry watch the jet shoot
upward and out
of control ... till moments later the pilot bails out,
the parachute opening in the distance. The warplane
disappears
behind a ridge followed shortly by an explosion.
Tucking in her shirt, Dayna
approaches.
DAYNA
I could see he couldn't handle her. What now?
STU
We've been spotted. We should split up.
DAYNA
I'll catch up with Tom, okay?
CUT TO:
EXT. ROAD ALONG MOUNTAINSIDE
- MOONLIT NIGHT
The pilot of the jet watches two
Jeeps pull up.
Armed to the teeth, Lloyd's goons -- male
and female --
jump out, followed by Lloyd and the Walkin' Dude.
The pilot swallows hard as the boss
struts closer.
PILOT
I only had five hours training, sir.
WALKIN' DUDE
Should be enough. If you're worthy of me.
The Walkin' Dude's eyes glow with
rage. The pilot
turns and bolts. The Walkin' Dude
laughs stridently.
The pilot runs as fast as he can
when he hears
CLOCKING BOOTFALLS, clocking fast, faster.
The Walkin' Dude's bootfalls -- the
silver filigree
are shiny claws -- no longer hammer the asphalt,
but suspended above it they make a SQUISHING
sound -- a sound that becomes
the flapping of wings.
WALKIN' DUDE
You scroooowed up!
The pilot glances back,
terrified. He sees that the Walkin' Dude has
his arms stretched
forward, and his hands form make-believe wings.
Out of the fluttering hands a crow
seems to materialize.
The pilot is so frightened he
stumbles and
turns to face a crow flying right at him.
Running to catch up, Lloyd and TWO
LIEUTENANTS
hear the PILOT'S GHASTLY SCREAM.
The pilot staggers, and Lloyd
shines the beam of his flashlight
through a hole in the pilot's
chest. The pilot crashes to the
asphalt. Lloyd and the two
Lieutenants gape in awe.
Ahead, the Walkin' Dude is perched
on a rock,
seeming more like a bird till his posture becomes
human
again. Lloyd and the two Lieutenants approach.
WALKIN' DUDE
Go away. I got work to do.
Lloyd and Lieutenants head back to
the Jeeps.
LIEUTENANT #1
(whispering)
I don't get it, Lloyd. We
lose our only airplane
and the Dude wastes our only
pilot.
LLOYD
Hey, I wouldn't question the
Boss. He's got the
big picture ...
LIEUTENANT #2
Yeah, the big picture!
BACK WITH WALKIN' DUDE
Still seated on the rock, he
snarls, baring his teeth, and a WOLF --
inches from his face -- SNARLS
back. He turns away from
the wolf and stares ahead, his eyes wide
and intense. And --
EXT. WILDERNESS - MOONLIT
NIGHT
-- suddenly a point of view --
hugging the rocky
terrain -- hurtles downhill at a reckless speed.
It runs across the arroyo, bounds
up a perilous slope,
slinks forward among the shrubs where --
EXT. RUGGED TERRAIN - MOONLIT
NIGHT
-- Larry and Stu are asleep.
It is about to reach them,
when -- teeth bared and GROWLING -- KOJACK
leaps at the point of view which jerks back.
EXT. ROAD ALONG MOUNTAINSIDE
- MOONLIT NIGHT
The Walkin' Dude is jolted from
trance and into a rage:
WALKIN' DUDE
Who were they? Who has the
old nigger dared to send
against me?
CUT TO:
EXT. ROAD THROUGH SCRUBLAND
(UTAH) - DAY
Alone, Tom pedals
along. He smiles at the butterflies,
saying
“hello”. From behind, two JEEPS ROAD up and pull
alongside: it's Lloyd and his goons, and the Walkin' Dude.
TOM
Holy gee, the Big Boss.
Tom is caught by surprise but keeps
on pedaling.
The Walkin' Dude stares at him, and begins to
sense something.
TOM
Holy gee, you got big guns.
Me ...
He whips out his cap gun,
shoots. Lloyd levels
his automatic at Tom, squeezes the
trigger.
The Walkin' Dude deflects the weapon and
the
bullets just miss Tom ... who just smiles.
TOM
You got a bigger bang than me, holy
gee ...
WALKIN' DUDE
(to Lloyd)
Can't you see he's a retard? They make good workers.
(to Tom)
What's your name?
TOM
Tom.
WALKIN' DUDE
Tommy, get yourself a job. Tell them the “Dude” sent you.
TOM
Holy gee, yessireee!
The JEEPS ROAR ahead.
CUT TO:
INT. MGM GRAND HOTEL -
PENTHOUSE - NIGHT
Nadine rattles the doorknob,
knowing it's useless.
She strolls restless through the
plush apartment and,
in frustration, reaches for her groin to
masturbate.
She thinks better of it, goes to
the TV, switches it on. “Triumph
of the Will” is playing.
She tries another channel. Another part
of “Triumph of the
Will”. Another channel. Again, “Triumph
of the Will”.
Nadine gives up and slouches into an armchair.
The door is unlocked from outside,
and the
Walkin' Dude struts in. She gives him a bored look.
WALKIN' DUDE
You're supposed to ask how my day
way.
NADINE
How was your day, Randall?
WALKIN' DUDE
Tough.
NADINE
Sorry.
He grabs her by the wrist and,
concentrating, her starts to lift her.
NADINE
Don't hurt me!
WALKIN' DUDE
Hurt the mother of my child ?!
He lifts her until she floats
midair. She's shocked --
-- when he tears open her dress and
rests his hands on her belly.
WALKIN' DUDE
I can feel the babe!
NADINE
So soon?
There's panic in her eyes.
INT. ORDINANCE BUILDING
(NEVADA) - DAY
The workers wear overalls and
hairnets. Bombs hang
from conveyors. A conveyor starts up,
a bomb slowly
moving, and two workers converge on it from different
directions: Tom and Julie Lawry, she sporting a
neat
suntan. They begin to lock in the detonator.
JULIE
Hi, I'm Julie. Just got back
from vacation
at Johnny Carson's house in Malibu
--
(eyes go wide)
Don't I know you?
Tom's face is pinched, but then
broadens into a smile.
TOM
Holy gee, don't know if I'd forget a pretty girl like you.
Smiling, he busies himself with the
detonator.
She looks at him, remembering him.
EXT. ORDINANCE BUILDING
(AIR FORCE BASE) - DAY
Tom and Julie watch as a crane
lifts the bomb they've armed
from a forklift onto a pyramid structure
of other armed
bombs. Two vehicles pull up. Lloyd gets out
of a Jeep;
Trash, out of a Sand Crawler, an all-terrain vehicle.
Lloyd gapes at the precarious
pyramid of bombs.
LLOYD
Trashy, I don't know from
bombs. But
ain't it like dangerous to stack
'em like that?
TRASH
Trashy likes dangerous, no?
Lloyd steps away, troubled, when
Julie sidles up.
She yanks off her hairnet and tosses her
mane loose.
LLOYD
Not now. I've got work to do,
Julie.
JULIE
It's about work, Lloyd.
She points to Tom, who's doing
wheelies on his bike.
JULIE
My co-worker is one of them, Lloyd.
Lloyd looks and recognizes him.
LLOYD
The retard?
JULIE
I met him before, in Kansas ... on his way to the old nigger woman.
Tom -- sensing something -- keeps
on pedaling,
putting a distance between himself and Lloyd.
Lloyd storms up to Trash.
LLOYD
Trashy! You've got a traitor
working
for you. The retard. I
want him caught.
TRASH
The “Dude” tells Trashy what to do.
Lloyd is only an orderly in a
nuthouse? Yes!
LLOYD
I'm the Dude's right-hand man.
I'm taking charge here. Julie!
Julie follows him to his
Jeep. Trash is a snarl of two voices:
TRASH
My dream -- These are -- is the Great Fire -- just fireworks.
Trash leaps into the SAND CRAWLER,
FIRES
it up, and charges at the pyramid of armed
bombs. He knocks
the corner bomb out of place.
The pyramid begins to collapse, and
bombs
roll and tumble toward Lloyd and Julie.
Lloyd bolts to the Jeep, leaps in,
tears off.
JULIE
Wait. Wait for me.
The bombs overtake her, and --
-- the detonator of one hits the
ground, and the BOMB EXPLODES.
Julie is vaporized from
sight. Other bombs hurtle forward.
Looking at what he's unleashed,
Trash laughs madly.
Driving flat out in the Jeep, Lloyd
glances back to see --
-- BOMBS skittering, flying,
tumbling, and EXPLODING in his wake.
From a distance, Tom watches
airplanes and hangars go up in flames.
At the wheel of the Sand Crawler,
Trash
weaves erratically, now in utter despair.
TRASH
The Walkin' Dude will love Trashy
no more.
(sudden exhilaration)
Unless! Unless? UNLESS!
The Sand Crawler is about to run
over Tom. Tom pedals
frantically out of its way. The
all-terrain vehicle heads
straight for the fence, flattens it, heads
out into the hills.
CUT TO:
EXT. / INT. MGM GRAND
(LAS VEGAS) - EARLY DAY
The Walkin' Dude is staring out,
levitating in the lotus
position. PULL BACK till we see the rest
of Las Vegas
with the sun rising behind it. Then-- SWOOP IN
ON
a few floors down from the penthouse, onto a ledge, --
-- where a crow alights.
Inside a suite,
there's a huge, heart-shaped bed.
INT. LOVERS' SUITE - EARLY DAY
In the gaudy bed, beneath a
heart-shaped mirror,
Dayna and Lloyd break apart after fierce
lovemaking.
DAYNA
I'm one lucky lady meeting up with
you.
She turns from Lloyd and grimaces
in disgust.
DAYNA
I could feel you taking out on me your grudge
against that fellow
Trashy? Feeling better?
LLOYD
All kinds of better.
Rolling her eyes, her gaze drifts
to the window, and she notices --
-- the crow flying away.
LLOYD
Trashy's a pain ... but a fucking
genius.
DAYNA
Sayeth the Boss?
LLOYD
Sayeth the Boss.
She simpers flirtatiously.
DAYNA
When do I get to meet the Boss. I'm starting
to believe you're not
his right-hand man.
LLOYD
He's a busy guy.
She gets out of bed, flounces
toward the bathroom.
LLOYD
You shouldn't go around without
clothes. You're making me
horny.
DAYNA
... Wouldn't we be keeping the Boss
waiting?
LLOYD
(a flicker of fear)
Oh, shit.
INT. LOVERS' SUITE - BATHROOM
- EARLY DAY
Dayna enters. She has nearly
closed the door
when she hears a KEY TURNING in a lock.
INT. LOVERS' SUITE -
EARLY DAY
The Walkin' Dude steps in.
Lloyd is uneasy.
LLOYD
Yes, sir?
WALKIN' DUDE
(smiling)
Where is she?
Excited, draped in a sheet, Lloyd
heads for the bathroom.
LLOYD
Doll! Guess who --
A glance, and Lloyd freezes and
shuts up.
INT. BATHROOM - EARLY DAY
Dayna has heard. Through the
crack of the
unclosed door, she sees the Walkin' Dude from
behind. Her heart pounds, her mind races.
INT. LOVERS' SUITE - EARLY DAY
The Walkin' Dude addresses Lloyd in
a confidential tone.
WALKIN' DUDE
Julie, your witness, is dead. So until we catch that retard
Tom, we don't really know if he slipped past under my radar.
(points to his head)
But this chick of yours --
INT. BATHROOM - EARLY DAY
Dayna is too busy to
eavesdrop. She rummages through
her rucksack, pulls out a knife
and special sheath.
INT. LOVERS' SUITE - EARLY DAY
WALKIN' DUDE
-- So get her.
Visibly shaken, Lloyd heads for the
bathroom.
LLOYD
Dayna!
INT. BATHROOM - EARLY DAY
Dayna has heard, and hears Lloyd
coming.
Moving with desperate speed, she straps a clip to her
forearm, and then slides the blade of the knife into
the spring-loaded
clasp. She flushes the toilet, and --
INT. LOVERS' SUITE - EARLY DAY
-- the sound causes Lloyd to
hesitate at the door.
INT. BATHROOM - EARLY DAY
Dayna slips into a robe, and pulls
the sleeve
over the arm which the trick knife is strapped
just as Lloyd
barges in. His voice quivers:
LLOYD
Come on out, Dayna.
She grabs a brush.
INT. LOVERS' SUITE - EARLY DAY
She comes out brushing her hair to
boost her bravado. Dayna acts surprised.
DAYNA
H-h-hello! You're no older
than I am.
WALKIN' DUDE
What did you expect? A
vampire?
DAYNA
... Lloyd's shitting in his
pants. It's about me,
right?
WALKIN' DUDE
Dayna, dear, how did you ever believe you could
escape my roving eye,
my psychic tentacles?
DAYNA
Tom, the grinning retard, did.
He glares at her, his eyes intense,
fierce.
DAYNA
You're trying to hypnotize
me. Cut it out.
He steps closer. Her hand
loosens
the sleeve that conceals the weapon.
DAYNA
So the future is about paranormal
powers?
WALKIN' DUDE
And hi-tech. And I have
both. We're
invincible. That's why
it's
useless for Mother Abigail to send agents against me. Do you know
what, Dayna? I'm going to let
you go ... Lloyd, phone
reception,
and tell them to have
a gassed-up motorbike ready
for the lady.
Lloyd goes to the phone.
Dayna fights to suppress hope.
DAYNA
Now ... why would you let me go?
WALKIN' DUDE
Isn't it obvious? You go home
and tell your
people to stick to your side of the
mountains.
The Walkin' Dude smiles affably.
DAYNA
What's the catch?
WALKIN' DUDE
I want the others to go back,
too. Who else has
Mother Abigail sent?
DAYNA
... You think I can remember over a hundred names? And faces?
The Walkin' Dude's sweetness turns
into angered shock.
DAYNA
Just kidding. And testing.
He steps forward and clamps his
hand on her neck.
WALKIN' DUDE
Testing what ?!
She finds a residue of courage.
DAYNA
What you can do, and can't. Your powers are not as
strong as they're
cracked up to be. Not
as strong as
you'd like Lloyd here, and
the others to believe --
He lets out a bloodcurdling scream
and flings
her across the room. Dayna crashes into the wall.
She crumples to the floor, a rag
doll.
She's very scared as he steps closer.
WALKIN' DUDE
You will tell me what I want to know ... Or --
or I'll start a fire in your brain and then you'll tell me.
He stops above her, his burning
eyes locked on hers.
DAYNA
(very faint)
I'll tell.
WALKIN' DUDE
Of course you will.
DAYNA
(faint rasp)
I hurt, you hurt my neck, my throat.
She motions with the arm with the
concealed knife.
DAYNA
Closer.
He stoops beside her.
DAYNA
Heeere!
And the knife, no, a banana -- with
the Chiquita
logo -- jerks out of her sleeve and into her hand.
About to drive the banana into his stomach, Dayna
sees what it
is. He laughs uproariously. She's so
shocked, she lets him
take the banana from her hand.
WALKIN' DUDE
You like my little trick?
He does a sleight of hand and,
pronto, the banana is the knife.
WALKIN' DUDE
One day I'll make water flow uphill.
But now ... tell me what I want to
kn --
DAYNA
No!
Drawing on an inner strength, she
bolts before
he can grab her and lunges at the window, her feet
first,
using them like pistons to CRACK the GLASS.
She grabs the jagged glass and
whips the
cutting edge across her throat. Blood gushes.
The Walkin' Dude gets to her too
late. He bellows
and kicks her and kicks her -- a dead, bloodless
body.
He senses something and turns to see Lloyd staring.
In a towering rage, the Walkin'
Dude closes in on him.
WALKIN' DUDE
You think I fucked up?
LLOYD
God, no ... I mean, nobody's
perfect.
The Walkin' Dude grabs Lloyd and
lifts him up,
levitates him. He lets go, leaving Lloyd with
his toes
scraping the carpet. He erupts into a passionate tirade.
WALKIN' DUDE
I've done damn good so
far. Roads from San Diego
to Seattle have been
cleared. Busses and trains run
on time. There's scheduled
T.V. and radio. There's law
and order. All misfits have
been crucified. My people
work hard eight hours a day and
play hard eight hours
a day. And the wolf and
weasel and crow are protected
species. And there're no
taxes, school is open again ...
His mood is suddenly mellow; and
Lloyd is
standing with his feet on the floor again.
WALKIN' DUDE
By the way, how are the students doing at the Flying Academy?
CUT TO:
EXT. DESERT WILDERNESS
(ARIZONA) - DAY
Stu helps an exhausted Larry along
a
trail under the hot sun. Kojack follows.
The three come to a stand of trees,
where
a trailer is parked. Stu eases Larry down
in the shade,
looks around, and steps --
INT. TRAILER - DAY
-- inside. Stu picks up
canned goods, and
passing a guitar, his fingers brush the strings.
EXT. STAND OF TREES - LATER -
DAY
Larry, Stu and Kojack rest in the
shade.
They've eaten and drunk from the cans.
Larry finishes tuning the guitar
from the trailer and
begins humming “Baby, Can You Dig Your Man?”.
STU
Funny you playin' that tune.
I heard it when the flu began
happenin'.
LARRY
You know anything about it?
STU
Nah. Do you?
LARRY
No.
He casts the guitar aside.
CUT TO:
INT. MGM GRAND - PENTHOUSE -
DAY
The Walkin' Dude levitates ...
projecting.
CUT TO:
EXT. DESERT WILDERNESS -
STAND OF TREES - DAY
Stu, Kojack and Larry are figures
disappearing into
the heat warp, when -- a crow alights on the strings of
the discarrded GUITAR, setting off WEIRD SOUNDS.
The crow
PLUCKS a STRING with its beak, and
the combined sounds are weirder,
LOUDER.
EXT. DESERT WILDERNESS - DAY
As Stu, Kojack and Larry trek, the
WEIRD SOUND
rings in Larry's ear. CHORDS BUILD on the sound,
and
VOICES and sights materialize: Larry becomes --
-- a rockstar onstage, basking in
the adulation of fans.
Stu shakes Larry out of his altered
state.
STU
Larry. You okay?
LARRY
... Yeah. The heat, I guess.
Stu pours some water over Larry's
head.
CUT TO:
INT. MGM PENTHOUSE - VIEW
OVER LAS VEGAS - NIGHT
Nadine is bored out of her
mind. The
Walkin' Dude and Lloyd stare out the window.
WALKIN' DUDE
Lloyd, since Trash took off, you've done real good.
LLOYD
'Preciate that, sir. The boys
'n girls have been lots
happier.
WALKIN' DUDE
What boys? What girls?
LLOYD
The people in the militia. The folks in the weapons factories.
WALKIN' DUDE
I see. Lloyd, you'll
have to learn to like
Trashy again.
LLOYD
... ?!
WALKIN' DUDE
(intense)
I sense it, feel it. He'll be back.
(easygoing)
He's too crazy not to come back.
Lloyd says nothing, staring off
into the distance. Then:
LLOYD
Sir!
He points, and from that direction
comes a
ROAR. The Walkin' Dude and Lloyd see --
-- a B-1 bomber and two F-16s
streak past.
WALKIN' DUDE
A B-1 bomber! Well done,
Lloyd.
LLOYD
The F-16s, sir, are armed with
sidewinders.
WALKIN' DUDE
Thanks.
Lloyd knows he's dismissed.
As he exits, the Walkin' Dude
goes to Nadine, who lies on a divan, her
belly large.
He shoves his hands under her, and
lifts her up. Their faces are very close.
WALKIN' DUDE
Things are looking up, Nadine.
NADINE
Neato.
He jerks his hands from under her
-- she stays where
she is, levitating. He excitedly exposes her
belly.
He floats up himself and hovers
over her belly
with his mouth. He kisses it, making blowing
sounds and the weirdest baby talk.
WALKIN' DUDE
Uwwww ... neki sakkad, Chathuluuuu
...
Nadine feels a sharp pain and
stares at her
belly. Six spikes begin to stick up from the taut
surface of her skin -- a claw is pushing up.
NADINE
Oh my God.
The talon-like spikes
retreat. The Walkin' Dude grins.
CUT TO:
EXT. WILDERNESS - ARROYO
(DISTANT LAS VEGAS) - DAY
Stu helps Larry up the bank and
they reach the edge. They can see --
-- many miles away -- the sun
kicking
off the buildings of Las Vegas.
LARRY
So far, so good.
The soft rock gives way beneath
Stu's feet.
He starts to slide back down. He grabs at
rocks,
but they come loose and he fails to get a purchase.
Stu tumbles all the way to the
riverbed, his leg hitting a
jagged rock. He gasps in pain, grabs
his leg ... it is broken.
He looks up and sees Larry looking
down.
LARRY
Are you okay?
STU
Leg's broke ... got some sticks, we'll splint it.
Stu sees Larry pull back
from the
edge and from view. Stu is puzzled.
Larry's mind races. Once
again the WEIRD SOUNDS
EDDY around him. Crows nearby squawk
and cackle as they flutter around a carcass.
Larry steps back to the edge of the
arroyo and to the
ordinary sounds of nature. He smiles down at
Stu.
STU
Where're the sticks? Aren't you going to help me?
LARRY
No, Stu. I'm going it
alone. It can't wait.
STU
What ?! --
LARRY
Stu, don't you remember what Mother
Abigail said? If
you
can't
lead, I should. Your
job -- mission -- was to get
me this far.
STU
Hold on there just a min --
LARRY
But Stu, don't you get it? You hurting
yourself is a sign
... from her ... to me.
STU
Larry, the sun's gone to your head
... Maybe --
LARRY
(irascible)
Maybe what ?!
STU
Maybe the Walkin' Dude has gotten
to you.
Larry just smiles down at Stu.
Stu sees Larry retreat from the
edge. He yells out:
STU
Larry, damn you, I'll have to kill
the
Dude AND YOU. Larry,
come back!
Larry doesn't
reappear. Stu's
distress is much stronger
than the pain of his broken leg. Kojack
whimpers.
CUT TO:
EXT. ROAD INTO LAS VEGAS -
NIGHT
Larry walks down the middle of the
road toward the blazing lights.
EXT. SCRUBLAND OVERLOOKING
ROAD (LAS VEGAS) - NIGHT
On his bike, Tom swoops a rise up
and sees --
-- Larry heading toward the Strip.
TOM
Holy gee ... ?!
EXT. BOTTOM OF ARROYO - NIGHT
Kojack brings a stick, and Stu --
working
feverishly -- completes a makeshift splint.
EXT. STRIP (LAS VEGAS)
- NIGHT
Acknowledging bystanders and those
who spill
out of the casinos to applaud him, Larry walks
toward the MGM
Grand. Police stop traffic for him.
Larry glances up and sees his name
in lights:
LARRY UNDERWOOD, ROCKSTAR OF THE WEST.
EXT. / INT. PENTHOUSE - NIGHT
The Walkin' Dude looks down.
He grins smugly.
EXT. MGM GRAND LOBBY - NIGHT
Lloyd sweeps forward to meet Larry.
LLOYD
Welcome, Mr. Underwood. Your concert will be tomorrow
night. We've lined up some first rate backup musicians.
LARRY
Good.
EXT. WILDERNESS -
ARROYO
(DISTANT LAS VEGAS) - DAWN
Kojack tugging, Stu claws his way
up to the edge.
EXT. BOARDED-UP WEDDING
CHAPEL (LAS VEGAS) - DAY
A boy leads Lloyd and a few goons
to the
door of the chapel. Some boards have been
torn from the
door. The boy points inside.
INT. PLASTIC WEDDING CHAPEL -
DAY
In the gloom, an attractive WOMAN
in a sexy
waitress outfit is kneeling and praying quietly.
ATTRACTIVE WOMAN
Hail Mary --
Lloyd's goons charge in. She
starts to turn --
EXT. WILDERNESS (LAS
VEGAS IN DISTANCE) - LATE DAY
Propped on an improvised crutch,
Stu makes slow but
inexorable progress over the rough terrain. Every time his
broken leg brushes against something, Stu could scream.
He has to stop. He takes the
opportunity to
check his revolver. Satisfied, Stu soldiers on.
EXT. ARENA BY MGM GRAND
(LAS VEGAS) - NIGHT
Larry is on the bandstand with
other musicians -- a
heavy metal rock 'n' roller, a classical
violinist, a cocktail
bar pianist in frills. Near Larry are the gaudy MASTER
OF CEREMONIES, Lloyd, and goons. They, and the crowd
who fill the stands, watch the activity in the arena.
Other goons lead in the attractive
woman captured in the chapel,
still in her sexy outfit.
Meanwhile four open sports cars,
their drivers in flashy duds, one of
them tricked out as a
pirate, back into the arena from different
directions.
The Master of Ceremonies signals,
and drummers
start up a nerve-wracking tattoo. The people
in the
stands watch, excitement and nervousness rising.
The woman, terribly afraid, tries
to calm herself.
ATTRACTIVE WOMAN
H-hail Mary, f-f-full ... full ...
The drivers -- one is a
woman --
grab her. Ropes run
from the back bumpers of each car, and the
drivers
loop the ends around the woman's wrists and ankles.
Larry watches without expression.
The drivers get in their cars, and
inch forward till the woman
is suspended by her wrists and ankles --
ready to be quartered
alive. The ENGINES IDLE; occasionally
there's a REV.
The people in the stands are
excited, uneasy, on edge.
Her heart pounding in her throat,
she
pushes out the words as loud as she can:
ATTRACTIVE WOMAN
Our Father ... who ... art ... in
... heaven --
WALKIN' DUDE
-- Stay there!
All eyes and spotlights turn to the
ramp up to the
bandstand. In blue jeans a white silk shirt which
gleams with irridescences, under his jacket, the
Walkin' Dude makes his
entrance. His BOOTHEELS
CLICK. He is followed by Nadine who
is very pregnant.
MASTER OF CEREMONIES
Randall Flagg and bride who will give birth tomorrow!
A cheer goes up from the
crowd. Larry watches.
The Walkin' Dude approaches, and he's
easygoing.
WALKIN' DUDE
Hi, Larry. Gonna play
for us?
LARRY
I guess.
Larry's eyes drift toward
Nadine. She peeks
fleetingly in his direction. They don't
make eye contact.
The Walkin' Dude signals; the M.C.
speaks into the mike.
MASTER OF CEREMONIES
Engines ready!
The four drivers REV their SPORTS
CARS.
ATTRACTIVE WOMAN
Forgive them, for they d-d-don't-t
--
MASTER OF CEREMONIES
Tighten ropes.
The drivers inch forward. The
ropes become taut,
putting tension on her limbs. She's
suddenly
berserk. Her pleading eyes seek the Walkin' Dude.
ATTRACTIVE WOMAN
Fuck God ... I'll do anything you
want ... Anything ... But let me
live ...
Larry watches impassive. The
M.C. turns to the
Walkin' Dude who whispers something in his ear.
MASTER OF CEREMONIES
Those who don't wish to look: the
Walkin' Dude understand ... Go!
The cars take off, and the woman's
body is --
The people watch her body being
quartered.
A gasp of excitement, of disgust, grips the
crowd.
Some turn away not to witness the horror.
Larry watches impassive. The
Walkin'
Dude gloats. Nadine's eyes are cast down.
Lloyd is
disgusted and excited all at once.
WALKIN' DUDE
(to Larry)
It gets the folks' blood worked up.
LARRY
I guess it does.
A clean-up crew enters the arena,
and
the four cars back into position again.
EXT. OUTSIDE ARENA - NIGHT
Tom pedals slowly closer on his
dirt bike.
EXT. WILDERNESS (CLOSER TO
LAS VEGAS) - NIGHT
Stu's inexoribility is
flagging. He weaves, trips,
falls, and doesn't get up.
Kojack nudges him, barks.
EXT. ARENA - NIGHT
MASTER OF CEREMONIES
Ladies and gents, allow me to introduce Larry
Underwood, the
greatest rock star alive --
Applause and cheers from the crowd.
MASTER OF CEREMONIES
And if he wants to stay alive ... to earn that right, Larry will,
here and now, disown the teachings of Mother Abigail!
Larry remains impassive. The
Walkin' Dude
leans toward Larry and whispers to him.
WALKIN' DUDE
Hey, champ, don't forget to kiss
ass.
Larry grabs the mike.
LARRY
Kiss your ass ?!
(hamming it up)
Literally ?! For real
?! Okay!
Titters, even snatches of laughter
run through the
crowd. The Walkin' Dude shoots Larry a searing
glance.
LARRY
Loosen up, man, I'm an entertainer.
I find material where I find it.
Some in the crowd are secretly
amused. Goon
lieutenants glance at Lloyd for reassurance.
LLOYD
(a whisper)
You'll see, the Boss will come
through.
The Walkin' Dude motions gracefully
for Larry to address the crowd.
LARRY
To tell you the truth, folks,
Mother Abigail had
very little to teach. Just
one thing, come to
think of it. She said:
“Fear no evil”. So I will
fear no evil. So I do not
fear the Walkin' Dude.
The crowd is shocked,
disbelieving. The Walkin' Dude
grabs the microphone from Larry,
and speaks into it.
The FEEDBACK comes over the
LOUDSPEAKER
as a loud SCREECHING in an unknown language.
The Walkin' Dude -- like everybody else on the
bandstand and in the
stands -- is shocked. He
backs away from the mike, and Larry
speaks into it.
LARRY
What-was-that ?!
The same question reverberates
throughout
the stands. Giving it his best:
LARRY
The Walkin' Dude, folks, feeds on fear. Your fear. HE IS
EVIL --
EXT. OUTSIDE ARENA - NIGHT
Tom hears Larry's words carried by
the loudspeakers.
TOM
Holy gee, he's not a dirty rat!
He turns in circles on his bike,
wondering what to do.
EXT. ARENA - NIGHT
Lloyd and his goons drag Larry from
the microphone.
Larry calls out, hamming it up for the crowd.
LARRY
Hey, police brutality!
Some in the crowd dare to laugh;
but most are confused.
EXT. WILDERNESS (CLOSER TO
LAS VEGAS) - NIGHT
Kojack leading, barking him on, Stu
hobbles forward.
EXT. ARENA - NIGHT
The goons loop the ropes that are
attached
to the sports cars around Larry's wrists
and ankles.
Larry calls out to the crowd:
LARRY
You people KNOW this is wrong. But you're all scared of h --
A panicked Lloyd slaps Larry hard.
LLOYD
Shut up.
LARRY
(to Lloyd)
Easy, you're afraid of him too.
EXT. WILDERNESS (CLOSER TO
LAS VEGAS) - NIGHT
Kojack leads Stu along the edge of
a deep crevice.
EXT. ARENA - NIGHT
Larry is suspended midair by his
wrists and ankles.
LARRY
He must kill me because he is afraid of what I say.
WALKIN' DUDE
(to Nadine)
We'll stop this damn “fear”
business.
Nadine nods, eyes downcast.
Murmurs
ripple through the crowd. The Walkin'
Dude whispers
something to the M.C. and:
MASTER OF CEREMONIES
Keep tightening the ropes, boys ...
but slow, real slow ...
The drivers jolt their cars back
and forth.
Larry is yanked this way, that way. He fights
the pain:
LARRY
This is evil ... and I fear ... no evil-l-l ...
EXT. OUTSIDE ARENA -
NIGHT
Riding in circles in a trance, Tom
is awakened
by a notion. He turns the bike away from the
arena,
and begins pumping, gaining speed.
EXT. INTERSECTION - NIGHT
Tom careens forward when --
announced
by a RUMBLE -- a huge industrial MACHINE
swerves around a
corner, suddenly upon him.
Tom skids to a side and the huge
vehicle, its engine
going full out, spewing smoke, passes inches from Tom.
It's too close to see what it is and who the driver is.
Tom remounts his bike and takes
off, searching.
He calls out quietly, but with intensity:
TOM
Dayna ?! ... Stu ?!
EXT. ARENA - NIGHT
The cars keep up their back and
forth jolts.
LARRY
This pain is evil ... and ... I ... will ... fear ... no evil.
Lloyd leaps up on the bandstand,
knocks the M.C. off.
He takes control of the mike, addresses the
crowd.
LLOYD
I'm a killer. But I'm also an
American ...
and this ain't American. It
ain't right. And --
Turning to the Walkin' Dude:
LLOYD
-- you ain't a man ... You're some kind of a ... a devil!
The crowd is shocked. The
Walkin' Dude's face is
a mask of fear, but it changes into one of
demonic wrath.
WALKIN' DUDE
(a whisper to Lloyd)
I am ... a devil.
The Walkin' Dude jerks a hand at
Lloyd's face.And a tiny
ball of blue fire leaps from the Walkin'
Dude's finger.
Crackling, the ball of fire alights
on the edge of Lloyd's mouth,
burning the flesh. Lloyd screams in
shock, unable to move.
The crowd watches. Larry
watches. The Walkin'
Dude gloats as he watches the ball of blue
energy
move across Lloyd's mouth fusing his lips shut,
locking Lloyd's
scream behind bulging eyes.
The crowd is disturbed, gripped by
anxiety, and pity.
LARRY
Fear no evil ... fear no evil.
The Walkin' Dude calls out to the
crowd.
WALKIN' DUDE
Who else wants to challenge me?
People glance among
themselves: Who will speak first?
EXT. ANOTHER STREET - NIGHT
Pedaling frantically, Tom searches
erratically, and calls:
TOM
Stu ?! Dayna ?!
He coasts; and he listens, intense.
EXT. ARENA - NIGHT
The small fireball twirls above the
Walkin' Dude.
He struts triumphantly glaring at people in the
stands.
WALKIN' DUDE
So! Who wants to speak
up?
He sees the crowd staring back at
him, and suddenly --
-- people spilling down the stands,
onto the arena,
and out. The reason for the panic is soon evident.
Preceded by its RUMBLE, the huge
MACHINE --
an industrial forklift -- CRASHES through the
stands,
breaking its way in ... and people flee in all
directions, scrambling
over, trampling each other.
The Walkin' Dude is stunned, a fear
rising --
and the ball swells, the fiery light spinning.
Larry, still tethered, is caught in
the press of
people. Three drivers run. The fourth car is
crushed by the huge treads of the industrial forklift.
EXT. EDGE OF LAS VEGAS - NIGHT
Tom senses something.
TOM
... Stu? ... Stu!
He pushes down on the pedals,
leaves
the road and heads into the wilderness.
EXT. ARENA - NIGHT
The escaping, panicked people
stumble over Larry
who struggles to unloop the tethers. He
succeeds.
The Walkin' Dude on the bandstand,
and Larry in the
arena can now clearly see the huge forklift's driver.
He is Trash. His hair and
teeth -- when he grins --
are falling out, and his face is a raw red
mess with
only one eye working. His arms are covered with boils.
The Walkin' Dude stares at Trash in
terror.
And Larry sees that the ball of fire gets bigger.
TRASH
Sorry about the hassle with the bombs, you'll
forgive me? I brought
you the fire of undoing.
WALKIN' DUDE
... Undoing?
TRASH
The Big Fire ... The A-bomb.
The Walkin' Dude and Larry's gaze
go to the device that
lies in the jaws of the forklift -- a
thermonuclear bomb.
Utter dread comes over the Walkin'
Dude's face, and as it
does his face becomes as if made of glass,
becoming flesh again.
Larry watches, transfixed as the
ball
of blue fire grows suddenly, becomes
enormous, crackling and
throbbing.
WALKIN' DUDE
Take it away, Trash.
Pl-l-Please. Can't
you see the radioactivity is
killing you?
TRASH
My life for you.
EXT. WILDERNESS (CLOSER TO
LAS VEGAS) - NIGHT
Stu lurches onward with grim
determination.
EXT. WILDERNESS OUTSIDE LAST
VEGAS - NIGHT
Tom rises and dips as he pedals
like a madman. He yells:
TOM
Stu ?! Holy gee, there's big
danger.
The ball -- diaphanous -- of
crackling blue energy begins
to spin away. The Walkin' Dude
notices -- and his fretfulness
only increases -- but he's locked into a
contest of wits with Trash.
WALKIN' DUDE
Take it away. It's dangerous. Very. Lloyd!
Lloyd, his mouth cauterized, looks
up.
WALKIN' DUDE
Lloyd, get Trash to ... help him take it away.
Lloyd's eyes nearly explode from
their sockets --
he has to laugh and he's got no mouth.
LARRY
Dude ... your magic has dumped on
you.
He and the Walkin' Dude see the
sphere of
energy roll away, passing through the stands.
EXT. OUTSIDE ARENA AND STRIP
- NIGHT
People escape frantically.
Some in cars knock
others over, ram other cars. The sphere rolls
and
spins through matter and people. It setts off/STARTS
up CAR
ENGINES, BEEPERS on digital watches.
INT. CASINO FLOOR - NIGHT
The sphere passes through,
triggering off the one-armed
bandits. Coins gush out. It
sets off ALARMS, JUKEBOXES.
EXT. ARENA - NIGHT
TRASH
What's the matter with Lloyd?
Larry climbs up on the bandstand.
LARRY
Dude, listen. Your magic is playing the town.
The Walkin' Dude, Larry and Trash
hear the weird cacophony.
EXT STRIP - NIGHT
The sphere sets off the lights of
Las Vegas. They strobe wildly,
dizzying the escaping
people. Streams of coins roll underfoot.
EXT. EDGE OF CREVICE
(CLOSER
STILL TO LAS VEGAS) - NIGHT
Stu soldiers on propping himself up
on Kojack, skirting the edge of a drop.
EXT. WILDERNESS BETWEEN LAS
VEGAS AND CREVICE - NIGHT
Tom comes sailing over a rise,
yelling:
TOM
Stu-u-u-u ...
EXT. ARENA NIGHT
TRASH
The Master won't thank Trashy ?!?
The crackling surface of the sphere
reaches the forklift,
starts slowly through it, heading for the bomb.
The Walkin' Dude lets out a
melodramatic sigh.
WALKIN' DUDE
It's getting flaky here. Time to bail out.
NADINE
Dude! You forgot something.
The Walkin' Dude's eyes -- and
Larry's -- turn to Nadine.
With her fist, she gives her
belly a mighty blow.
The sphere spins closer to the bomb.
EXT. WILDERNESS OUTSIDE LAS VEGAS -
NIGHT
Pumping like a madman, Tom comes
flying up a slope.
TOM
Stu-u-u ... Kojack-k-k !
EXT. ARENA - NIGHT
Down on her knees, from under her
bloody skirt Nadine
draws a half-human, half monster BABY CREATURE,
holding it up. It has hollow eyes, slit by dark cat's
pupils.
BABY CREATURE
Dada ...
The Walkin' Dude takes one step
toward it when he notices
the fireball much closer to the bomb.
He stops in his tracks.
WALKIN' DUDE
Good try, Nadine, to snuff me ... I'm dying ... to come back --
The Walkin' Dude's face starts to
grow transparent again.
LARRY
We will fear no evil.
He and Nadine make eye
contact. Finally.
What could have been is in
their eyes. For a second.
The surface of the sphere is an
inch from the bomb.
The Walkin' Dude disappears.
And the Walkin' Dude's clothes -- Stetson,
shirt, jeans and boots --
stand upright for the blink of an eye, then collapse.
LARRY
Thank God. I will fear no --
The surface of the blue ball of
energy touches the atomic
bomb and a blinding white flash obliterates
all --
EXT. OUTSIDE LAS VEGAS -
CREVICE - NIGHT
-- expanding. An
uncomprehending Stu is on
the ground, Kojack tugging on him, stepping
back into the crevice, pulling Stu down with him.
Kojack and Stu crash to the bottom.
Above, the expanding flash bleaches
out the
landscape. Out of the whiteness Tom speeds,
his hair on
fire. He lunges into the rift.
Where Las Vegas once stood, the
flash subsides to AN
EERIE DAYLIGHT as the mushroom cloud begins to
rise.
Shock waves hit with flaming debris, and SONIC BOOMS.
Below, Stu has enough presence to
put out the fire in Tom's hair.
Above, the mushroom cloud continues
to billow up.
Below, Tom regains his wind.
TOM
Larry did it. Larry called
down the hand
of God. Holy gee, that was
something.
Stu looks away, inside himself.
STU
I had to doubt you,
Larry. Sorry I didn't
get a ringside view, but it falls
to me to live.
Above, the mushroom cloud reaches
the
stratosphere, when a wind comes out of the east.
EXT. SKY - NIGHT
The radioactive cloud is blown
west, dispersed.
EXT. CREVICE - NIGHT
Badly hurting, Stu looks up and
sees clouds race west.
STU
It's blowing west.
Boulder's safe from
fallout. And us,
too.
TOM
Holy gee, that's good?
EXT. CREVICE - DAWN
The wasteland of the atomic
aftermath is tinted pink by the rising sun.
CUT TO:
Snow lashes at --
INT. INFIRMARY - CAMPUS
(BOULDER, COLORADO) - WINTER - NIGHT
-- the windows of the
corridor. Lucy helps an incredibly
pregnant Frannie down it's
length. She's in pain:
FRANNIE
It's kicking ... it wants out.
LUCY
(to distract her)
Okay, Frannie, what's your choice
of names.
FRANNIE
(grimacing)
Don't know ...
They pass Leo bouncing the ball --
he speaks without looking up.
LEO
If it's a girl, Dayna. If it's a boy, Larry.
Lucy and Frannie turn toward him in
alarm.
LUCY
Leo, why did you say that?
Leo is jolted from the
trance. In spite of the contractions:
FRANNIE
Why did you pick those two names? Larry and Dayna?
LEO
I don't know ...
He does know. It shows
on his face, but he hides
it from them. He senses he should say a
bit more.
LEO
I guess they are the two ... who ...
He's searching for the right words.
LUCY
The two who take the biggest
chances?
LEO
Yeah. That's it. The
ones who'd get into more
trouble ove there.
LUCY
And be the ones not to come back
...?
Leo shrugs, hugs Lucy.
LEO
I love you, Mom.
The women smile, but there's a fear
they don't
want to deal with. The Doc runs toward them.
CUT TO:
EXT. ROCKIES - WINTER (SNOW
STORM) - DAY
Bundled with whatever they've
managed to get hold of,
and looking very much the worse for the wear,
Stu,
Tom and Kojack struggle against the driving snow.
Suddenly an animal bounds toward
them.
Stu and Tom recover from the shock,
but not Kojack.
He goes berserk. The animal is a dog.
A bitch, and
Kojack sniffs her over, and he's off in amorous pursuit.
Stu and Tom look up, see Leo
looking at them.
LEO
Are they going to have puppies,
Uncle Stu?
Stu recovers from the shock of the
encounter.
STU
... I hope.
INT. CORRIDOR - INFIRMARY -
DAY
An excited Leo leads an elated Stu,
his beard
caked with ice. Tom follows in a state of exhaustion.
INT. INFIRMARY - ROOM - NIGHT
Overjoyed, Frannie is holding her
newborn
baby when Leo shoves Stu into the room.
Tears welling up, they stare at
each other. Stu
goes to her, and they kiss; and they kiss the
baby.
LEO
Tom and Stu say that Larry and Dayna won't be coming back.
So overwhelmed that he hasn't been
able to
say a word to Frannie yet, Stu knows he must
deal with
Lucy. He puts his arm around her.
STU
Lucy, it's true ...
LUCY
I sort of knew. Leo prepared
me.
She draws the boy to her, her eyes
shiny.
TOM
Larry saved us all. He called
down the hand of God
on the boogeyman. Holy gee, what a sight to see!
FRANNIE
It's a boy, Stu. Let's call
him Larry.
LEO
Yeah, my dad's name!
STU
Sure.
Stu takes the baby in his arms,
turns to
Doc and Zellman who are in a state of
exhaustion -- they've
just delivered the baby.
STU
You guys did good.
DOC
Considering I'm just a vet ...
ZELLMAN
And I'm an optometrist.
People crowd in to see the
returning
heroes. Lucy puts on a brave face.
LUCY
Still so much to do.
STU
Yeah, build a new world.
DOC
God, we've gone through a
lot. We're prepared.
ZELLMAN
And we've learned so much!
STU
(the laconic hero)
Really? Like what?
Doc, Mark, and the others don't
have an answer. The baby
in his arms, Stu turns back to
Frannie. Holding Lucy's
hand, Leo tugs at Stu's sleeve to get his
attention.
LEO
Like we can't help being happy.
Stu and Frannie agree, and even
Lucy smiles.
FADE OUT
THE END
FIND A LIST OF THE
TOP ONLINE CASINOS
INCLUDING BEST BONUSES!
THE
SUBTERRANEAN COLLECTION
BACK TO:
SUBTERRANEAN
CINEMA
